“In December 1963, a month prior to the show’s opening and cast album release, at the behest of his manager, Louis Armstrong produced a demonstration recording of ‘Hello, Dolly!’ for the song’s publisher to use to promote the show.Hello, Dolly!opened on January 16, 1964 at the St...
Louis Armstrong and King Oliver 爵士乐之父的 Louis Armstrong 与恩师 King Oliver 合作的这张音乐合辑,半数以上是 King Oliver 与爵士乐团的录音,其他则是 The Red Onion Jazz Babies 的部分。整张专辑带有浓厚的热爵士风,活泼演奏中融入即兴变奏,曲调或轻柔或激昂,饶富趣味;蓝调在歌曲中流淌,倾诉着对生活的...
Jazz musician Louis Armstrong sings Hello Dolly. 02:02 Louis Armstrong "When the Saints Go Marching In" 03:20 Frank Sinatra and Louis Armstrong "Birth of the Blues" 00:45 Louis Armstrong Smiling 03:01 1933 WS Louis Armstrong playing Dinah live / Copenhagen, Denmark ...
Satchmo Sings 1955 Louis Armstrong And The All Stars*–Satchmo At Symphony Hall 7 versions Decca 1955 Concert At The Crescendo Volume 3 (LP, 10") Festival Records FR10-856 1955 Jazzin' Again With Armstrong Columbia 1955 Louis Armstrong at the Crescendo ...
Order Louis Armstrong’s greatest hits collection Wonderful World now. ‘Search For The New Land’: The Story Behind Lee Morgan’s Blue Note Classic ‘Chet Baker Sings’: How The Cool Jazz Trumpeter Found His Voice Best Jazz Love Songs: An Essential Romantic Playlist ADVERTISEMENT Over five dec...
Easily the greatest song of Louis Armstrong and also one of the 10 greatest songs of all time. The way he sings and plays the trumpet elevates this song to an ethereal sphere.What an unalloyed genius! I'm currently playing this at Upper Darby High School, and it's by far my favorite...
在Apple Music 上收听LOUIS ARMSTRONG的《Sings and Swings (Bluebird's Best Series) [Remastered]》。2002年。15 首歌曲。时长:49 分钟
Louis Armstrong biographer Ricky Riccardi. Louis Armstrong best jazz songs from West End Blues to What a Wonderful World - Mosaic Records
‘Hello, Dolly!’ backwards, hearing the trumpet work within this overall programme and savouring its simplicity and security is still incredibly moving. When you then go back to the masterpieces of the 1920s and 30s, Armstrong’s playing is often stunning in its risk-taking and its success-...
but it doesn’t skimp on the leaner parts of his career. The last quarter of Armstrong’s life receive nearly 100 pages. These chapters document Satchmo’s renaissance as not only a premier jazz talent, but showman whose love knew no age or national boundaries. Stories of “Hello Dolly” ...