Requirements for Looking-Glass Include: Puppet fabrication (for both live action and stop motion puppets) Set design for stop motion sequences A cinematographer/DP who can work with both our puppets and our actors Power for night shoots, which will take place in both the woods and a city Har...
she turned to me and asked for a cigarette. i handed one to her, and gest leaned in and said, “honey, he’s asthmatic.” ignoring him, she turned back to me and roared, “light me up, baby!” and then proceeded to smoke and sing right into the asthmatic’s face. but now it...
He basically went back to the stems and remixed the movie for Dolby Atmos. Then, Steven Nakamura, the original colorist, worked with me, and Paul Machliss the editor, and Bill Pope (the film's cinematographer). I left people who were at the top of their field — Julian and Steve ...
Kímmapiiyipitssini. She wrote: “This fund, along with support from Telefilm Canada, has allowed for me to become the majority co-producer with the NFB. For me, this is a form of narrative sovereignty. It
The quote doesn’t surprise me, and it really reflects something that came from adapting the book for the screen. James [Laxton, cinematographer] started doing these direct-to-camera shots in Moonlight, and it just felt like that aesthetic would apply to Beale Street. Intellectually, I’d ne...
Set design for stop motion sequences A cinematographer/DP who can work with both our puppets and our actors Power for night shoots, which will take place in both the woods and a city Hard drives Makeup/Special Effects artist Location Rental ...
Requirements for Looking-Glass Include: Puppet fabrication (for both live action and stop motion puppets) Set design for stop motion sequences A cinematographer/DP who can work with both our puppets and our actors Power for night shoots, which will take place in both the woods and a city Har...