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Rishad Saam Mehta
A favorite for the season became the favorite for the road as Mical Teja’s DNA won the 2024 Road March title. Teja, whose real name is Mical Williams, secured 341 plays over Bunji Garlin’s 225 plays for his song, Carnival Contract. The announcement was made by Trinidad and Tobago Unifi...
1998. "Introduction: Resistance and Identity: Carnival in Trinidad and Tobago." TDR, Vol. 42, No. 3 (Autumn, 1998), 7-23.Riggio, Milla C. 1998. "Resistance and identity: Carnival in Trinidad and Tobago." TDR 42, no. 3: 7-23....
Provides information on the Amerindian masking in Trinidad's Carnival. Information on American masking in the 1960s; Reason for the attractiveness of Amerindian figures to masquerades in Trinidad; First description of Amerindian maskers in Carnival by Charles Day....
Reports on the controversy in the selection for calypso monarchs at the Dimanche Gras show and contest staged by the Trinidad and Tobago's national Carnival Committee at the Queen's Park Savannah. Examples of Delamo and Luta's winning songs relevant to social and political conditions; Prize ...
I show how this concern mirrors local critiques of Carnival, and how this preoccupation was itself a recurrent theme throughout the 20th century.GreenGarthLEBSCO_AspCritique of AnthropologyGreen, G. L. (2002). Marketing the nation: Carnival and tourism in Trinidad and Tobago. Critique of ...
"Body Talk: Notes on Women and Spectacle in Contemporary Trinidad Carnival." Small Axe: A Caribbean Journal of Criticism, vol. 4, no. 1, 2000, pp. 93- 105. EBSCOhost, connection.ebscohost.com/c/articles/6830219/body-talk-notes- women-spectacle-contemporary-trinidad-carnival. Accessed 17 ...
Origins of rituals and customs in the Trinidad carnival: African or European? The Drama Review, 42 (3), 1998 p. 26.Liverpool, H.U., 1998, `Origins of rituals and customs in the Trinidad carnival: African or European', TDR / The Drama Review, 42, 3: 24-37....