He feels the presence of the wind beside (around) him CM7 He feels the power of the past behind him Em7 He has the knowledge of the wind to guide him... On. CHORUS CM7 The wind in my heart CM7 The wind in my heart Em7 The dust in my head Em7 The dust in my head CM7 The w...
The song of earth has many different chords; Ocean has many moods and many tones Yet always ocean. In the damp Spring woods The painted trillium smiles, while crisp pine cones Autumn alone canripen3. So is this One music with a thousandcadences4....
I imagine Edmunds used that title a second time upon listening to the playback of this album”. https://rateyourmusic.com/release/album/dave-edmunds/riff-raff/ Bio http://www.keysandchords.com/an-interview-with-dave-edmunds.html Website https://www.facebook.com/DaveEdmundsOfficial Trivia ...
Or single notes amid a gloriousthrong2. The song of earth has many different chords; Ocean has many moods and many tones Yet always ocean. In the damp Spring woods The painted trillium smiles, while crisp pine cones Autumn alone canripen3. So is this One music with a thousandcadences4....
harmonies. Parker was a blazingly fast virtuoso and introduced revolutionary harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker’s tone ranged from clean and penetrating to sweet and ...
This song is repeated at the beginning and the end as the “head”, while musicians take turn improvising a new melody during the “solos” in the middle. The remaining musicians repeat a pattern of chords, called the chord “changes”, to give the melody harmony throughout....
The piano chords descend and lead back to the introduction. 0:36 [m. 11]--The descending chords lead back to the bass figure and the repeated chords in E-flat minor. Stanza 2 begins with the mother’s second imperative. It is musically the same as her first one, but Brahms increases...
2:36 [m. 55]--Postlude. The piano begins its epilogue with the last note in the voice. It is markeddolce. The right hand has long chords that harmonize a greatly slowed-down, straightened version of the main melodic gesture from the very first line, whose returns have helped to unify ...
chords. Contrasts between high and low registers accentuate the poet’s invocation of the earth and sky. A sequence of drooping suspensions perfectly mimics the effect of sleep upon the eyes. Throughout, a virtuosic use of chromaticism invokes not only the diaphanous quality of the scene being ...
(except oboes, who have not yet played), play chords, no longer out of phase by a bar. The cellos and basses re-articulate their low note at the same time. The violins and violas, after playing the first three notes of the motive, wind their way downward with arpeggios and octave ...