Line of Duty: Directed by Steven C. Miller. With Aaron Eckhart, Courtney Eaton, Ben McKenzie, Giancarlo Esposito. A disgraced cop finds himself in a race against time to find a kidnap victim whose abductor he accidentally killed.
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Viewers will join Jed Mercurio, the creator and writer of “Line of Duty,” alongside Martin Compston, who played the memorable role of Di Steve Arnott. In this special episode, the two will enter an interrogation room, where they will delve into their personal memories and experiences while...
See In the Line of Duty: Blaze of Glory's production, company, and contact information. Explore In the Line of Duty: Blaze of Glory's box office performance, follow development, and track popularity with MOVIEmeter. IMDbPro — The essential resource for
In the Line of Duty: Siege at Marion (1992) Elisabeth Harmon-Haid Newswoman #3 (as Elizabeth Harmon) Criminal Minds (2005)MOVIEmeter Members only Become a member to access additional data Try IMDbPro Premium for free Ratings Breakdown 2 external reviews & 2 more links IMDb...
To me the flaw of the short term series such as LINE OF DUTY is its suffers from padding, stretching its one central plot to its limits. JUSTIFIED always has one or two episodes that drag simply to set up the exposition of that season’s plot (similar to the first half hour of PERRY...
Our tour guide Janice was very knowledgeable about the Line of Duty plot lines and characters and made the tour very interesting. Apart from the main theme of LOD the tour also showed us lots of hidden corners of Belfast that we had never seen before and didn't know...
as played by Yuen Yat Chor, possesses a likability comparable to that of Jackie Chan, a harmless guy thrown into hazardous situations forced to fight back. Luk would have been a great character on which to center the movie; instead he is used as a plot device to set up the various fight...
67. in the line of duty as a necessary and usually undesired part of the performance of one's responsibilities 68. lay on the line put on the line a. to pay money b. to speak frankly and directly c. to risk (one's career, reputation, etc) on something 69. shoot a line informal...
But at the end of the 20th century, is it really necessary to have human beings leaping through glass and setting themselves on fire to titillate audiences in a darkened theater? Do producers and directors really need to outdo themselves with every movie? Are the risks too great to put a ...