In this paper I propose a double reading of Liliana Colanzi's Nuestro mundo muerto (2016). First, through the study of the formal specificity of the short stories. For that pourpose, I draw from the characterization of her work from two different but complementary concepts: the globa...
This article argues that Liliana Colanzi's fiction in Nuestro mundo muerto - in particular the short stories "La ola," "Meteorito," and "El ojo" - show a contemporary fascination with end-of-the-world themes and catastrophic imaginaries, displacing the traditional discourse of u...