The male gaze was introduced by Laura Mulvey in her 1975 essay "Visual Pleasure and Narrative Cinema" and is “a feature of gender power asymmetry in film”. Mulvey explained, “Women were objectified in film because heterosexual men were in control of the camera”. The male gaze is when ...
The theory of the male gaze was developed by British film scholar Laura Mulvey in the 1975 essay "Visual Pleasure and Narrative Cinema." The term was first used by art critic John Berger to demonstrate how representational conventions in art and media encourage particular understandings of reality...
Mulveyhas shone a light on the old-fashioned and repetitive style of cinema we see every day, and her ideologies have helped create a more modern and truthful version of cinema as we now have more realistic portrayals of women than ever before. For example, the filmsSpy(2015) andThe Hunge...
Male Gaze and Visual Pleasure in Laura MulveyFeminist film theory plays a crucial role in examining the concept of spectatorship . Ruby Rich puts it this waydoi:10.1007/978-3-030-71830-5_21Patricia StefanovicAna Grui ParaThe Palgrave Handbook of Image Studies...
男性凝视(male gaze)最早是Laura Mulvey在她的Visual Pleasure and Narrative Cinema提出来的。这是一个女性主义电影理论。这个词援引了“凝视”的性别政治性,指一种赋权男性而物化女性的性化表达方式。在男性凝视下,女性被展现成一个异性恋男性的幻想对象。她自己的感受,想法和她自己的性冲动都不被关心。Mulvey认为...
Interview with Laura Mulvey This conversation between Laura Mulvey and Roberta Sassatelli offers a historical reconstruction of Mulvey’s work, from her famous essay ‘Visual Pleasure... R Sassatelli - 《Theory Culture & Society》 被引量: 19发表: 2011年 Male Gaze, Female Creativity and Visual ...
Since it first appeared in Screen in 1975, Laura Mulvey’s essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey’s compelling polemical analysis of visual pleasure has provoked and encouraged others to take ...
Since it first appeared in Screen in 1975, Laura Mulvey’s essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey’s compelling polemical analysis of visual pleasure has provoked and encouraged others to take posit...
This conversation between Laura Mulvey and Roberta Sassatelli offers a historical reconstruction of Mulvey's work, from her famous essay 'Visual Pleasure and Narrative Cinema' to her most recent reflections on male gaze, film technology ...
This thesis explores the relationship between Laura Mulvey's theories of phallocentrism in American cinema and Cindy Sherman's in the late 1970s. Feminist theories and sociological studies from this period are used to provide contextual information to frame both Mulvey's essay, , as well as ...