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The present study seeks to establish the divergences produced in the reception of the script Viaje a la luna (1929) from Federico Garc铆a Lorca and the cinematographic adaptation carried out by Frederic Amat (1998). Both stories-written and cinematographical-present dissimilarities in their ...
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Viaje a la lunaFederico Garc铆a Lorca's screenplay Viaje a la luna (1930) is an example of what Spanish film critic Antonio Espina called "cinegraf铆a" in that it theorizes the relationship between the written word and the film image. It is also a work that intertwines the desire for...
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Federico García Lorca's screenplay Viaje a la luna (1930) is an example of what Spanish film critic Antonio Espina called "cinegrafía" in that it theorizes the relationship between the written word and the film image. It is also a work that intertwines the desire for sexual freedom with...