Next Generation Moon Mic microphone focuses in on sub low frequencies. Revolutionizing the way the world recovers the low end. Say goodbye to hot signals, false tones, ringing, bidirectional noise, and low-quality mids to highs. The Moon Mic addresses al
Next Generation Moon Mic microphone focuses in on sub low frequencies. Revolutionizing the way the world recovers the low end. Say goodbye to hot signals, false tones, ringing, bidirectional noise, and low-quality mids to highs. The Moon Mic addresses al
Drum microphone provides maximum isolation from onstage sounds, optimized low-frequency bass punch, and high-power SPL handling.
Audix D6 Kick Drum Microphone Features: Cardioid polar pattern rejects sound from external sources Tuned especially for kick and bass 30Hz–15kHz frequency response sports big bumps right where you need it Not dependent on finding "sweet spot" for good sound ...
No more pre-tailored sound! Capture the true sound of the bass drum - 4055 Kick Drum Microphone Designed to kick the bass to the next level, the 4055 takes the traditional concept of a kick drum mic and turns it on its head – no more pre-tailored sound – now you can take sound ...
The Audix D6 is the perfect choice for superb kick drum sounds. This microphone's cardioid pickup pattern does an excellent job rejecting sound from external sources to keep the sound of the kick drum pure and clean. The D6 boasts a VLM (Very Low Mass) diaphragm to react quickly to th...
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Avantone Pro releases Kick sub-frequency kick drum microphone Avantone Pro brings back bygone classic as aptly-named sub-frequency kick drum microphone must-have TALLMAN, NY, USA: Avantone Pro is proud to announce availability of Kick — an aptly-named s
just balance the microphone types. If you are running piezo and speaker into a single input like I am, then you can only adjust their balance by moving the speaker nearer or farther away from the drum head, but that works quite well. It’s good for a ‘fixed drum setup’ where your ...
Another effective technique is positioning a mic outside the drum, about 6-8 inches away. This method allows more resonance and can enhance the low-end frequencies. Experimenting with angles will also affect clarity and presence. Adjusting the microphone’s angle can highlight specific tones or ...