1985年,#KeithHaring 在纽约中央公园分发其为为支持“反对南非种族隔离”所创作的作品“FREE SOUTH AFRICA”,画面本身很好理解,白套黑,最后被却反噬,据说当年就发了60张,不知道现在存世完好的还有多少张。#凯斯哈 - 类哥累不累于20240707发布在抖音,已经收获了106个
Keith Haring Pop Shop Quad I,1987 Silkscreen height 13 1/2 in height 34.3 cm Keith Haring Untitled 2 from Free South Africa,1985 Lithograph on Rives BFK 32 x 40 ins 81.28 x 101.6 cm 53/60 Signed, dated and numbered by the artist in the left margin ...
Keith Haring Free South Africa - signed lithograph, Pop art, 20th century, by Keith Haring, 1985 H 31.5 in W 39.57 in Free South Africa, Keith Haring Foundation Lithograph, Numbered /150, 2010 H 48 in W 40 in D 2 in Free South Africa, Keith Haring Foundation Lithograph, Numbered 9 /...
Free South Africa, 1985, Poster Haring adored being the centre of attention and partied as hard as he painted. To New York’s groovy underground culture, he was the pip in the Big Apple. Socially, his biggest asset was Warhol, whom he had met at an exhibition in 1983. The two enjoyed...
1985年,#KeithHaring 在纽约中央公园分发其为为支持“反对南非种族隔离”所创作的作品“FREE SOUTH AFRICA”,画面本身很好理解,白套黑,最后被却反噬,据说当年就发了60张,不知道现在存世完好的还有多少张。#凯斯哈林 @类哥累不累· 7月7日类哥累不累 00:36 116 【Keith Haring 的立体书也堪称艺术】 Keith Har...
Free South Africa (1985) This was one of the popular arts which Keith used to present a political message on the apartheid that was existing in South Africa. He used a black figure who was bigger than the white figure to illustrate how the white minority suppressed the black majority in So...
Some of Haring's subway drawings had obvious political themes, such as the one labelled "South Africa" in three narrative frames: a little figure leads a giant by a rope around the neck, then the big figure rubs its sore neck (evidently assessing the situation), and in the third frame ...
Keith Haring The Growing Suite, 1988 is a suite of five screenprints, each of which are from an edition of 100. This suite features some of Haring's most iconic humanoid figures. However, it also displays captivating visual experimentation not seen in so
in which Haring took a concrete event as an occasion for a political statement, was the picture of the black graffiti spray painter, Michael Stewart, beaten to death by police officers (Michael Stewart – USA for Africa, October 5, 1985). A quite exceptional role, both in content and artis...