Kano Hogai (狩野 芳崖) February 27, 1828 – November 5, 1888) was a 19th-century Japanese painter of the Kano school. One of the last of the Kano painters, Hogai's works reflect the deep traditions of the school, but also at times show hints of experimentation with Western methods an...
One of the most copied painters. See Kono, Exhibition of Nagasawa Rosetsu, Chiba City Art Museum, 2000, pl. 42 for identical seals. Tsuji Nobu, Nagasawa Rosetsu: the Fanciful Painter, Miho Museum, 2011, pls. 19, 58-60, 67,87, 90, 91, 93 and 94. Status: Available Click here to ...
Paralleling the intensive and systematic study ofWestern paintingmethods was a steady process of renewal occurring in the field of traditional painting. Fenollosa was particularly instrumental in redirecting and salvaging the careers of two important late 19th-century painters,Kanō HōgaiandHashimoto Gahō...
…two important late 19th-century painters, Kanō Hōgai and Hashimoto Gahō. Fenollosa had particular notions about the ways these traditional Kanō school painters could adapt their techniques in order to create a more exciting and, perhaps to Western eyes, a more marketable product. He encouraged...
subjects. In the first half of the 19th century, a group of painters, includingReizei Tamechika, explored ancient painting sources and offered a revival ofYamato-estyle. Some, but not all, of the painters in this circle were politically active supporters of the imperial or royalist cause....
Sesshū was already hailed during his lifetime as the greatest Japanese painter of his time, a verdict ratified by later generations of artists, many of whom imitated his style or were influenced by his work even as late as the 19th century. Several painters even used his name; these include...
Many painters of the 19th Century were influenced by Japanese prints and paintings. As far as Monet is concerned, the way Japanese art shaped his style and the way he saw the world around him can be noticed in many of his canvases as early as the 1870s....
Compared to Soga Shōhaku and other exemplars of the mid-Edo period eccentric painters, Jakuchū is said to have been very calm, restrained, and professional. He held strong ties to Zen Buddhist ideals, and was considered a lay brother (koji); but he was also keenly aware of his rol...
In their ambition to capture “real life,” Japanese painters, poets, novelists and photographers of the nineteenth century collaborated in ways seldom explored by their European contemporaries. This course offers learners the chance to encounter and appreciate behavior, moral standards and some of the...
exports reached Europe and gained momentum. By the 17th century Queen Elizabeth, I of England (Great Britain from 1707) can be spotted in paintings holding folding fans. By the 18th century ladies of all social standings carried them and by the 19th century, Impressionist painters scatter their...