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[28] As throughout the song, only major chords are used in this portion:[31] F♯7 for four bars, and one bar each of A7, G♯7, C♯7 and B7.[28] The bridge remains on the B chord for its entirety and takes the form of a "rave-up".[31] The section begins with ...
Born September 30, 1947—Michael B. Wagner. Though best remembered for his work onHill Street Bluesand deservedly so, he’s co-created with Isaac Asimov, produced and wrote several episodes for the one-season ABC seriesProbe. He provided the story for two episodes ofNext Generation, “Bobby ...
Johnny D’s here in Davis Square has had a Colorblind sleeve on their wall of albums for years, placed among great Blues and Jazz luminaries of our time. Having played at the same clubs for years, and shared many of the same haunts, Chuck and I never talked too much until the day he...
I noted how the rhythm section reminded me a lot of John Coltrane's and Younger played chunky chords on top of it. Later, she played some sounds that reminded me of the "Chinese music" from Steely Dan's Aja. In the spirit of the day, she later invited another harpist, Macaela Davis...
I think. We would get some chords recorded with a little backbeat and loop them round, have them playing back to the speaker and he would stand up in front of a microphone, open his phone, where he’d sketch down hundreds of different lyric ideas, and he’d sing them all in. They...
I saw Joni on stage at the Troubadour in LA in 1968, this golden-haired beauty playing gorgeous chords and singing with mind-blowing abandon in terms of what she was willing to reveal about herself. I wrote her a fan/love letter and sent red roses. Some years later, she found the unop...
When two guitarists arrange songs on acoustics one imagines capos at various positions on each instrument, with each player adopting different inversions of the chords. Not so in this case, apparently. “John is a proper guitar player,” Taylor states, modestly. “He very seldom uses a capo....
Death has consecrated the genius of three great painters happily neglected and persecuted during their lifetime–Manet, Monticelli, and Carriere. Though furiously opposed, Manet was admitted to the Luxembourg by the conditions of the Caillebotte legacy. There that ironic masterpiece, Olympe–otherwise ...
I noted how the rhythm section reminded me a lot of John Coltrane's and Younger played chunky chords on top of it. Later, she played some sounds that reminded me of the "Chinese music" from Steely Dan's Aja. In the spirit of the day, she later invited another harpist, Macaela Davis...