t matter which Divine Mercy images are used. After many unsuccessful attempts by the original artist to reproduce the portrait of Jesus, St. Faustina cried to Jesus truly present in the Tabernacle and He quickly consoled her“The greatness of this image lies not in the beauty of the color ...
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This article compares two biblical accounts: the description of the construction of the Tabernacle (Ex. 25–40), and its connection to the myth of Eve’s creation (Gen. 2). I aim to reveal the literary and symbolic links between “feminine” attributes in these two formative accounts, from...