“Orientalizing” translation style associated with hierarchical representations of other cultures as primitive or inferior to normative “western” civilization, and, on the other side, an “appropriative” style that downplays the distinctiveness of other world views and claims universal validity for ...
From about the late 1570s, when drama begins to become more theory-conscious, more aware of the notions of unity associated with the name of Aristotle,5 some English writers, both theorists and dramatists, begin to regard the miscellaneous char- acter of English drama as something in need ...