(D7) If Not For (G) You (D)(C) The winter would hold (G) no spring (D)(C) Couldn't hear a (G) robin sing (D)(C) I just wouldn't have a (Am) clue If Not For (G) You (D)(C) [repeat bridge and last verse; end with repeat of G-D-C chords] Submitted by Bob M...
and cardiovascular fi and care about it and carignan and caused much frict and certainly not pra and childrens faces l and chords and civic values and civilian infrastr and clarity and cleaning convenie and clearly the and clinical field tr and come back in july and communication ski and compar...
Throughout the 1970s, Harrison continued to find success with albums such as "Living in the Material World" and the eponymous "George Harrison," but he surprisingly found his footing in the evolving world of pop in 1987 with his version of James Ray's "Got My Mind Set on You," which ...
those kinds of things. It is semi-autobiographical. It is really about this girl – not about Cyn. It has an intro like a Fifties song: “If I fell in love with you, would
the Beatles seemed whole again, though only for a brief moment. If you’re a Paul McCartney fan, this remains his brightest, most artistically satisfying, moment. However, it’s John Lennon’s punctuations (and, to a quickly emerging degree, George Harrison’s), that undoubtably make it ...
the Beatles seemed whole again, though only for a brief moment. If you’re a Paul McCartney fan, this remains his brightest, most artistically satisfying, moment. However, it’s John Lennon’s punctuations (and, to a quickly emerging degree, George Harrison’s), that undoubtably make it ...
If you’re a Paul McCartney fan, this remains his brightest, most artistically satisfying, moment. However, it’s John Lennon’s punctuations (and, to a quickly emerging degree, George Harrison’s), that undoubtably make it so. 'The Band' Capitol 'The Band' The Band (1969): The Band...
with Lennon singing the lower harmony while McCartney sings the higher one. It also features Lennon’s intricate chord changes. The key changes from D sharp minor to D major between the introduction (a series of descending barre chords) and the main song, which uses mainly open chords, includ...
In the first episode, Paul McCartney has no lyrics or structure for the song ‘Get Back’, but, in an almost supernatural moment, he starts to develop the chords and hum fragments of the melody, and gradually the group piece the new song together. The documentary flies against the idea of...