Kiss (1982):With their career in tatters, Kiss finally stopped messing around with disco, pop and concept albums and delivered their heaviest and most sophisticated album ever. Someday we're going to convince them to play "Saint and Sinner" and "Rock and Roll Hell" live. 'Pyromania' Mercur...
Bruce Springsteen (1980):Springsteen's double-album follow-up to 1978's 'Darkness on the Edge of Town' plays like an old Hollywood movie, with characters making some bad choices on their way to redemption. He had way too many ideas and songs to pull it all together without losing some f...
Bruce Springsteen (1980):Springsteen's double-album follow-up to 1978's 'Darkness on the Edge of Town' plays like an old Hollywood movie, with characters making some bad choices on their way to redemption. He had way too many ideas and songs to pull it all together without losing some f...
Bob Dylan (1989):Dylan gave in to worry, seeming to rebuke everything he'd preached on hope-filled albums like 'Saved' - not to mention his goofball turns with the Traveling Wilburys. The result was a late-period classic, governed by producer Daniel Lanois' atmospheric process. 'Dr. Feel...
Bruce Springsteen (1982):Springsteen originally meant for these stark, desolate songs to serve as demos for the E Street Band, but their themes - mostly death and despair, and lots of it - worked better as stripped-down acoustic numbers. We can't imagine them any other way. ...
Bruce Springsteen (1982):Springsteen originally meant for these stark, desolate songs to serve as demos for the E Street Band, but their themes - mostly death and despair, and lots of it - worked better as stripped-down acoustic numbers. We can't imagine them any other way. ...
Bruce Springsteen (1982):Springsteen originally meant for these stark, desolate songs to serve as demos for the E Street Band, but their themes - mostly death and despair, and lots of it - worked better as stripped-down acoustic numbers. We can't imagine them any other way. ...
Bruce Springsteen (1982):Springsteen originally meant for these stark, desolate songs to serve as demos for the E Street Band, but their themes - mostly death and despair, and lots of it - worked better as stripped-down acoustic numbers. We can't imagine them any other way. ...
But I felt our recording process had gone to pot during that album. Because we were having quite a few problems with Keith Moon not being in very good physical condition. So those are my main reasons, it wasn’t a very enjoyable album to make. You go deep with some of the songs in...
Bruce Springsteen (1982):Springsteen originally meant for these stark, desolate songs to serve as demos for the E Street Band, but their themes - mostly death and despair, and lots of it - worked better as stripped-down acoustic numbers. We can't imagine them any other way. ...