Below we have picked some great tutorials that cover a few different ways to make sampled hip hop beats. How to Chop Samples Marcella Middleton shows us how he chops up a sample and makes a beat in Reason. How to Make Sampled Beats in FL Studio Making Sample Based Beat in Logic Pro Ho...
Now that you know the foundations making UK Garage beats in Reason 10, it’s time to let the rhythm take control!
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Don’t feel bad if all the terms make your head spin—it’s a lot to take in. But let’s take a high-level look at some of the mechanics you need to know about how music makes money, who collects that cash, and who receives a cut. ...
Identifying a niche can make it easier to stand out and build a dedicated client base. Consider specializing in areas such as: Indie music production. Offer full-scale production for independent artists who want to release music without the backing of a major label. Hip-hop beats and mixing....
Dolby Atmos in the home Up to 400 speakers can be used in the top Dolby Atmos cinemas, but given that a cinema-style installation isn't a practical solution for most people, AV manufacturers have stepped in to make it realistic in the domestic situation – and even, in some cases, affor...
Also, make sure you don’t have any compressor or limiter on the master fader when you export the track. Use the highest possible quality for rendering. Here are the settings I’m usually using: STEP 2 – Create a new empty FL Studio project, and open your exported mix in Edison ...
One of the easiest methods of designing better lighting, is to simply change your light bulb. But not all studio lamps are created equal. From a £5 hardware store fluorescent tube to a £1,500 bespoke solution, the choices you make affect your ability to match colours accurately, judge...
Asensio:There are small things (but which make a big difference), like downsizing the depth of the player character’s hitbox when moving up or down, so you really dodge when you want to dodge. And bigger things – for example, in SoR2 when you were surrounded, doing a special move ...
The reception to the album In the first review of the album in theNew Musical Expressin November 1967, the writer Allen Evans was clearly unsure of what to make of the record. “After you have recovered from the gaudy sleeve designs, you get the original meaty sounds of the blast off, ...