You'll need to do the first part of the Dung Eater quest to gain access, but once you're in you can head down to the Cathedral of the Forsaken to fight Mohg, open the secret door behind the altar, then keep going down until you reach the Frenzied Flame Proscription. Take off ...
Alternatively, it can be given to Gideon Ofnir or the Dung Eater (when you’ve reached the point in his quest where he’s tied to a chair and can be given Seedbed Curses) Next, travel to Ranni’s Rise and look for some ruins nearby for Seluvis’ hidden room. Upon entering inside,...
Dung EaterIn the Subterranean Shunning-Grounds in Leyndell. You'll need to interact with his phantom at the Roundtable Hold first. ShabririAt Zamoor Ruins in the Mountaintops of the Giants. White Mask Varre quest steps Image credit:Rock Paper Shotgun/FromSoftware Varre is the first non-ghos...
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While these are the only requirements to access the DLC, and no story or questline elements from the base game will affect the Shadow of the Erdtree Area (or vice versa), it's highly recommended that you complete questlines and defeat bosses that appear to be related to the DLC, which...
. He will offer to sell it to you for 1,000 Runes. If you accept, he will return the necklace and become a merchant. If you refuse, you can kill him to gain the necklace, but if you do so you will lose access to his questline and its interaction with theLoathsome Dung Eater....
The last ending is another bad ending of sorts, though not quite at the level of teaming up with Dung Eater. It also involves completing some side quests, not just a single NPCs line this time, but a few. There’s a little debate about whether or not each of these steps needs to be...
*Missable, doing one ending locks you out of the other endings for that playthrough. As a workaround you must manually back up your save before triggering any ending, then copy it back to do the next ending. Killing the questgiver NPC Renna/Ranni (Witch) would also make you miss this ...
while they will flourish in the scullery, or on the dunghill, they fade at a breath from the drawing room.’ ‘Gross material facts’ are exactly the subjects of LF’s pictures, very often. And though many would dispute he deals with them joyously (though I am not sure I would), he...
With that intricately generous copy edit I learned to pay proper attention to all the work my words could do, not just their jeweled surface. I gather it’s not so fashionable to talk about line editing now. The big splashy stuff is apparently what gets attention – the brute cutting out...