"This was done in an old-school way, with an analog desk – a big, long desk – and a Studer tape machine, 32 tracks or whatever," he told Rock Music Star. "And a huge studio behind the glass, where you had the drums set up and all these little compartments with glass, and eve...
"This was done in an old-school way, with an analog desk – a big, long desk – and a Studer tape machine, 32 tracks or whatever," he told Rock Music Star. "And a huge studio behind the glass, where you had the drums set up and all these little compartments with glass, and eve...
Is that how old you were when you started to feel different to some of the other kids you were around? I think I was five when I had my first crush—and I remember her name, I just hadn't learned the language for it yet. It wasn’t until I was 17 that I knew t...
I have a book that is very dear to my heart. It’s forty-five years old, but it’s in extremely good nick for its age. Published in 1977, it’s my well-thumbed copy of Roget’s Thesaurus, and it has helped me to write the lyrics for every single Judas Priest album fromSin Afte...
Rob Halford is remarkable at 40 years old, executing one of his finest performances in his already impressive career. From the devastating title track to the banner waving “One Shot at Glory” stacked in between are “Hell Patrol” “Night Crawler” and “A Touch of Evil.” 11. Slayer, ...
After a downturn withPoint of Entry, Judas Priest rebounded strongly with 1982’sScreaming for Vengeance. This is the album where the band really established themselves as the ‘80s dominant metal force, with Rob Halford belting some of his best performances. ...
Stitched together from live recordings and the final sessions by the band, which had broken up a few months before the album's release, 'Goodbye' is a fitting final chapter by the combustible Cream. Once again they rework some old blues, show off just how great they were together when the...
After a downturn withPoint of Entry, Judas Priest rebounded strongly with 1982’sScreaming for Vengeance. This is the album where the band really established themselves as the ‘80s dominant metal force, with Rob Halford belting some of his best performances. ...
resulting album walked a fine line between the old and new, as heard on the terrific "Silhouettes in Disguise." There is plenty of period-specific melodic sheen, but Walsh is in terrific voice – and everything is goosed along by a series of interesting contributions from new guitarist Steve...
After a downturn withPoint of Entry, Judas Priest rebounded strongly with 1982’sScreaming for Vengeance. This is the album where the band really established themselves as the ‘80s dominant metal force, with Rob Halford belting some of his best performances. ...