Eisenberg and Culkin’s great acting is showcased, especially during the scenes where they let their emotions rip. Their best scene together is atop a hotel, where they smoke pot and old wounds furiously come to the surface. Besides the acting, Eisenberg, the screenwriter, immerses the audience...
And that’s the thing about listening to it now, during the week of what would have been Tom’s 70th birthday: as much as I’m delighted to have so much new old music to dive into, I can’t ignore the undertow of sorrow that was there when he wrote the album and surrounds it no...
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