John Donne是玄学派诗人的创始人。他们用哲学辩论和说理的方式抒情，被批评用词怪僻晦涩，韵律不流畅。然...
Holy Sonnet XVII: Since She Whom I Loved - A Masterpiece of John Donne John Donne, the 17th-century English poet, is known for his metaphysical poetry, which explores complex themes of love, death, and spirituality. One of his most famous works is the Holy Sonnet XVII: Since She Whom I...
In conclusion, Holy Sonnet V: I Am A Little World Made Cunningly is a beautiful and powerful poem that reflects John Donne's deep understanding of both the physical and spiritual worlds. The poem's exploration of the relationship between man and God, and the complexity of the human soul, i...
Annotation John Donne’s Holy Sonnet IXHoly Sonnet IXIfpoisonousminerals,andifthattree,Whosefruitthrewdeathon(elseimmortal)us,Iflecherousgoats,i..
In John Donne's Holy Sonnet X "Death, be not proud, though some have called thee", the speaker rebukes the concept of death, taking away from it all its power to terrify and confuse the heart and mind of humankind. At first glance, it may seem the speaker is personifying...
这是一首意大利体的十四行诗。诗的起句突兀，表达了对死神的嘲笑和蔑视。死亡是人生的终结，许多人对死亡表现出极度的恐惧，把死亡同黑暗的地狱联系在一起。然而，在多恩看来，死亡并没有什么可怕之处。他把死亡看作睡眠，看作是通向“永远觉醒”的必经之路。死亡只是从有限的生命通向永恒的过程。这种...
This essay will show how the lyric persona in “Holy Sonnet XIV” fully self-abandons himself with help of various stylistic devices.The 14th “Holy Sonnet” by John Donne, who lived from 1572 until 1631, was written around 1609, but it was not until after his death that his son publishe...
4. Comment on the following Holy Sonnet of “John Donne”. (20 points)DEATH be not proud though some have called theeMighty and dreadfull, for, thou art not so,For, those, whom thou think’st, thou dost overthrow,Die not, poore death, nor yet canst thou kill me.From rest and sleep...
John Donne's Holy Sonnet VI "This is my play's last scene; here heavens appoint" John Donne's Holy Sonnet IX "If poisonous minerals, and if that tree" An Analysis of the "Nativity" Poem by John Donne Analysis of the Poem 'The Good-Morrow' by John Donne...
10). The second line of the sonnet rejects the comparatively gentle techniques God has previously employed to correct the speaker--"for you / As yet but knock, breathe, shine, and seek to mend"--and calls instead for God to "o'erthrow" the willing poet by "force" (4). Donne demonst...