“I’m not a flashy guitar guy, and I’m not a ripper,” he told Guitar World Acoustic after the recording of In Your Honour.“I can’t do that sort of thing. But I do enjoy finding chords that have no name, and I do enjoy writing riffs that are rhythmically a little complicated...
“It was like cutting off an arm that had gangrene. I had to cut it off to live. I’d be dead if I didn’t stop. The better I got, the higher I aimed. People loved what I did, but I had grown past it. I got to the point where I was walking in my own footsteps,” he ...
There’s Richards’ 12-string tuned to open G (not something you could do onstage in a hurry), picking out minor chords and harmonic embellishments; Mick Taylor’s second acoustic, in Nashville tuning (with the lower-gauge E, A, D and G strings tuned an octave higher) holding the ...
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