Chord Substitutions, Diatonic Chords, and Gospel Chords We've learned many guitar voicings for triads and seventh chords. This lesson will help you to solidify your grasp of Drop-2 Seventh chords. We'll also explore some new ways of using what we've already learned. Finally, we'll look at...
Using the detailed study guide PDF (available in both English and Portuguese) you’ll study several essential topics such as harmonic intervals, triads, chord inversions, chord substitutions and tension/resolution devices. Each section also comes with a creative collection of licks. You’ll then stu...
Music, Busking, Freedom of Art/Speech & USA 1st Amendment Practicing Gratefulness (as a musician) fromWynton Marsalis Jazz Guitar! E flat Blues (100 bpm) Acoustic Jazz Guitar Backing Track Eb Jazz Blues Backing Track (bpm 144) Fly Me to the Moon (Chord Chart, Scales & Arpeggios in C Maj...
Using the detailed study guide PDF (available in both English and Portuguese) you’ll study several essential topics such as harmonic intervals, triads, chord inversions, chord substitutions and tension/resolution devices. Each section also comes with a creative collection of licks. You’ll then stu...
Other subjects that Charlie covers include blues playing, chromatic substitutions in turnarounds, artificial harmonics and a special section on Bossa Nova rhythms. He plays all the examples with impeccable classical technique and a gentle, engaging swing feel. ...
Using the detailed study guide PDF (available in both English and Portuguese) you’ll study several essential topics such as harmonic intervals, triads, chord inversions, chord substitutions and tension/resolution devices. Each section also comes with a creative collection of licks. You’ll then stu...
* Jerry Bergonzi: Creating a Jazz Vocabulary Vol. 1 (WORKOUTS: Chord Scales/Tones, Approach Systems, Voice Leading & More) * Jerry Bergonzi: Creating a Jazz Vocabulary Vol. 2 (Sequences, Substitutions & Shapes) * Jerry Bergonzi: Creating a Jazz Vocabulary Vol. 3 (MELODIC RHYTHM: A Rhyth...
improve balance by bringing weight from the neck to the body of the guitar, it requires alternate methods of fastening and tightening the strings which, in turn, requires non-standard strings and prevents the guitarist from plucking strings with a plucking hand and tuning with the chording hand...
When people first take up lap steel, there’s a tendency to make a lot of the inherent sliding capability of the instrument. I notice that in your playing, you’re very controlled about when you hit a note or chord or slide in and out of it. ...
* Jerry Bergonzi: Creating a Jazz Vocabulary Vol. 1 (WORKOUTS: Chord Scales/Tones, Approach Systems, Voice Leading & More) * Jerry Bergonzi: Creating a Jazz Vocabulary Vol. 2 (Sequences, Substitutions & Shapes) * Jerry Bergonzi: Creating a Jazz Vocabulary Vol. 3 (MELODIC RHYTHM: A Rhythmic...