歌词:Grateful Dead. Black-Throated Wind. 演奏者: Grateful Dead歌曲: Black-Throated WindBringing me down,I'm running agroundBlind in the light of the interstate cars.Passing me by,The busses and semis,Plunging like stones from a slingshot on Mars.But I'm here by the road,Bound to the...
Wake of the FloodGrateful Dead1973年10月15日 试听 歌词 Wake of the flood Laughin' water, forty-nine Get out the pans 登录以查看完整歌词 American Beauty
But the Dead stumbled that night. They led off with a warm-up tune that they did neatly enough, and the crowd, swarmed in luminescent darkness, sent up “good oldGrateful Dead, we’re so glad you’re here,” vibrations. The band didn’t catch them. Maybe they were a bit tired of ...
Grateful Dead - Black-Throated Wind (Live at the Spectrum, Philadelphia, PA, September 21, 1972)
Grateful Dead / Merle Saunders专辑:Europe '72 Vol. 13: Bickershaw Festival, Wigan, England 5/7/72 (Live)流派:摇滚 立即播放 收藏 分享 下载歌曲 Bringing me down, I'm running aground Blind in the light of the interstate cars Passing me by, the buses and semis Plunging like stones from a...
'The Greening of America' author Charles Reich interviews Grateful Dead's Jerry Garcia with Jann S. Wenner in 1972 issue of Rolling Stone.
Follow “gratefultothedead” on www.twitter.com: Tweets by gratefultodead What folks are reading most lately "HELP! HELP! I'm being repressed! Come and see the violence inherent in the system!" Martin Luther's Anfechtungen--his own dark nights of the soul, and how they affected his ...
I never realized how much the Dead’s music and appreciation of it comes down to the psychedelic experience, or at least, the getting high experience. The overall major point is, that indeed, I had drunk the Kool-Aid, but not figuratively, literally!
While those who need to find fault may point to the less than perfect levels and clarity of low-end on this tape, it’s hard to be disappointed with this listening experience. And again, as a 1970 AUD tape? Whoa. Set One - Grateful Dead Acoustic: Monkey and the Engineer, Deep Elem ...
Fallout From the Phil Zone. “Song” is a loose word here: Choruses and chord progressions are departure points. “Viola Lee Blues” is epic, rude hypnosis, twice the length of the version onThe Grateful Dead. The accelerating instrumental break is a glorious connected fury – five voices ...