perhaps, or between the hero and the villain’s forces, between the good-guys as they argue over the best course of action (“She’s a spy.”“No, she’s not, she’s a victim.” Think of the girl in movie ofThe Guns of Navarone, and the conflicts.) Or both/and, because ...
The Brothers Lumiere premiered me, strolling out en masse from a warehouse. Vertov captured me unawares, head turned the other way, shuffling to the rhythms of the Soviet quotidian.Act natural, don’t ham it up, don’t look straight at the man with the movie camera. The director abhors ...