MAIN SPKR LR XLR Male Main speaker outputs - to main control room loudspeakers. DAW MIX LR XLR Female DAW Mix input - connect from your DAW’s internal mix bus; this input may feed the console’s mix bus, cue and monitor section. DAW FB LR XLR Female DAW Foldback input - connect ...
The first Platinum unit to be launched is the Tone Factory, a 1U mains‑powered rack unit that combines a class‑A mic amp, variable‑frequency high and low shelving filters, a compressor, a set of instrument‑style tone controls (complete with overdrive and speaker simulator), a 2...
sound (music im playing, not the noise) is extremely quiet, I can turn the output volume right up on the card, and my monitor and speaker volume to max and its still too quiet whereas with my last card it would have been unbearably loud. The headphone output is also very quiet even...
On the input stage, this circuit still uses the same high-spec Lundahl L1538 audio transformer and Rupert Neve's Zobel filter network. The aforementioned type of network is more usually associated with the speaker outputs of power amplifiers, to compensate for the inductive load of the speakers,...
If you're sat 1m (just over an arm's length) from your speakers, then the latency between the sound from your speaker and your ear is 3.4ms. * These examples assume that the speed of sound in air is 343 m/s. Buffer Size
Speaker emulation: FAST Reveal emulates the characteristics of different speaker systems, allowing you to hear how your mix will translate on those systems. Virtual listening position: You can adjust the virtual listening position within the simulated room, affecting the perceived sound of your mix....
Alternatively, completely custom setups of up to 12 outputs can be configured for bespoke speaker configurations. RedNet R1 can be used to control groups of outputs from a Red interface's multitude of sources and destinations, including from Pro Tools | HD and other DAWs, analogue inputs and ...
InFuzzMeasure Pro, it is then simply a matter of selecting the output channel that you want to drive (either 1 or 2, to measure from the left or right speaker), and the input channel that the microphone is connected to. Here’s a measurement grab of a cheap “supertweeter” purchased ...
Having a monitoring section built in is hugely useful to anyone using a soundcard-based system, as it provides the key monitoring functions you'd expect in the master section of a mixing console (speaker and headphone control) as well as latency-free monitoring plus the ability to connect a...
but it can also be configured to simultaneously control the level of multiple stereo outputs by activating the 'H' button next to the relevant output pair level control in the Saffire Control panel. This is clearly handy if you're monitoring via an active surround speaker system as it avoids...