Fire of Love: Directed by Sara Dosa. With Miranda July, Katia Krafft, Maurice Krafft, Roland Haas. Intrepid scientists and lovers Katia and Maurice Krafft died in a volcanic explosion doing the very thing that brought them together: unraveling the myster
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又 名爱蹈火 爱之火 Fire of Love 编 剧萨拉·多萨 主 演米兰达·裘莱 剧情 Katia和Maurice Krafft除了彼此相爱之外,还深深迷恋着火山。二十年来,这对热爱冒险的法国夫妇纵情于与自然之间惊险、刺激的“三角恋”。两人追随全球的火山喷发和余波,用惊艳的摄影和震撼人心的影像记录他们的发现,并通过媒体和巡回演讲...
Fire of Love(2022) end titles Title Design and Graphics:Kara Blake Editors:Erin Casper, Jocelyne Chaput Narrated by:Miranda July Original Score:Nicolas Godin Support Art of the TItle DONATE ON KO-FI Title sequence Category Film Styles 2020s,archive footage,documentary,main title,type over scene ...
Deadline Film + TV Watch 4 exclusive interviews with Best Documentary Feature Oscar nominees: ‘All That Breathes,’‘All the Beauty and the Bloodshed,’‘Fire of Love,’‘Navalny’ 3/6/2023 by David Buchanan Gold Derby Miranda July On Overcoming Doubts To Narrate Oscar-Nominated ‘Fire Of ...
From National Geographic Documentary Films comes the extraordinary love story of intrepid French scientists Katia and Maurice Krafft, who died just as explosively as they lived — capturing the most spectacular imagery ever recorded of their greatest pas
(The 2022 Sundance Film Festival runs January 20-30 all virtually. Check out Melanie Addington’s movie review of Fire of Love. Like what you see here on Hammer to Nail? Why not pay just $1.00 per month via Patreon to help keep us going?) Love is mesmerizing. So are volcanoes. ...
Later, on top of the volcano, we spent a lot of film filming, about the danger of the ...
Fire of Lovepresents their mutual attraction to volcanoes and each other as being formed not only by their shared memories of life in Strasbourg—atop a fault line whose shifting destroyed Basel, Switzerland, in 1356—but also by the crucible of the Second World War. Strasbourg lies in Alsace...
The film suggests that they loved each other, in part, through their love of volcanos. And why not? “Fire of Love,” which has been directed by Sara Dosa with a discursive, let’s-try-it-on lyricism, is like one of Werner Herzog’s documentaries about fearless outliers, only this ...