Wong Kar-Wai's films also show the abundance of watches, clocks, and calendars as important elements of the narrative and symbolism of his films.MazierskaEwaRascaroliLauraFilm CriticismMazierska, Ewa and Rascaroli, Laura "Trapped in the Present: Time in the Films of Wong Kar-Wai." Film ...
Wong Kar Wai, the famed Hong Kong director, is known for his lush colors, nonlinear narratives, and heart-wrenching love stories. These are all qualities that can be found in countless K-pop music videos, so it makes total sense that many K-pop music videos have been influenced by him. ...
“I’m tired of all this ‘cinema is dead’ shit." As the Criterion Collection releases a box set of his work, Wong Kar-wai explains himself.
View the dGenerate's narrative film catalog, featuring China's best independent filmmakers including Pema Tseden and Wong Kar Wai.
Wong Kar WaiHong Kong,1995 Lost souls reach out for human connection amidst the glimmering night world of Hong Kong in Wong Kar Wai’s hallucinatory, neon-soaked nocturne. Originally conceived as a segment ofChungking Expressonly to spin off on its own woozy axis, this hyper-cool head rush ...
Overall, Wong Kar-wai's films are deeply influenced by European film auteurs and movements, particularly the French New Wave. His use of highly stylized and expressive cinematography like handheld cameras. He also create non-linear storytelling in his films, and focus on the inner emotional lives...
This essay promotes an investigation into the musical discourse in the films of Hong Kong auteur Wong Kar-wai, focusing primarily on the way that music is applied to disrupt narrative time, thus creating what Gilles Deleuze called 'pure optical and sonorous situations'. It also considers the ...
— Wong Kar Wai 一横一直 「《一代宗師》的官方海報是由徐梓竣設計,靈感來自電影裡葉問的一句話:『功夫』兩個字,一橫一豎。 徐梓竣加入澤東才20出頭,參加的第一個劇組就是《一代宗師》。他是少有的全才,歷年來,不少我們的海報及唱片封套都是出自他手,是澤東創作力量的重要一員。
The whiplash, double-prongedChungking Expressis one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar Wai an instant icon. Two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung), both jilted by ex-lovers, cross paths at the Midnight Express...
Wong Kar Wai’s breakthrough sophomore feature represents the first full flowering of his swooning signature style. The first film in a loosely connected, ongoing cycle that includes In the Mood for Love and 2046, this ravishing existential reverie is a dreamlike drift through the Hong Kong of...