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A multiface mirror (4) rotates about the spindle of the transparent drum (1). The film (10) is taken off one of the reels (6) and wound onto the other reel (7) after passing around the drum (1) which is driven by the film itself. The spindle (4) of the drum is maintained ...
“Pas de Deux,” justly regarded as the Scottish artist’s best work for the prolific National Film Board of Canada, stands majestically at the frontier between live action and animation. McLaren filmed dancers dressed in white performing against a black backdrop, then manipulated the reel with ...
This expedient always leaves a leader threaded through the apparatus every time it is turned off, thus eliminating the necessity of manually threading film through the multitude of rollers each time a reel of film is developed. As the film emerges from the darkroom, that is, as the film ...