and after producing his first Talkie, New York Nights (1929), he was hired by Carl Laemmle to direct a prestige production, an adaptation of Erich Maria Remarque’s merciless but popular antiwar novel All Quiet On the Western Front (1930). Easily...
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2) Indie Film Production: The Craft of Low Budget Filmmaking Indie Film Production explains the simple, basic, clear cut role of the independent film producer. Raising funds to do your dream project, producing award-winning films with a low budget, putting name actors on your indie film-it’...
Resume Genius University | MFA in Film & Video Production Graduation Date: May 20XX The following sample film resumes are sure to be the inspiration you need to write your own resume. Entry-level film resume If you’re an entry-level filmmaker looking to get your first job in the film ind...
Taking a series of jobs working with animals, Francine turns away those who take an interest in her and instead seeks intimacy in the most unlikely of places. Gritty, elliptical, and voyeuristic, Francine is a portrait of a near-silent misfit and her fragile first steps in an unfamiliar ...
the Wildlife Filmmaking MA at UWE Bristol, in partnership with the BBC NHU, and I had the pleasure of premiering it at the Arnolfini cinemas in Bristol, UK at the end of October, in front of a large audience of BBC NHU producers and other indies wildlife production companies from the UK...
The final five minutes of BlacKkKlansman arguably is the most pivotal experience of the entire film but has nothing to do with the actual story portrayed in the rest of the production. Lee concludes the 1970’s portion of the film in a satisfying fashion, then fast forwards to the horrific...
“sixth sense” in locating talent had turned Jackie into Hong Kong’s hottest property. Chow had hoped that Ng would be willing to work in unison with Golden Harvest’s script, envisioning that he would work his magic into this production – which was supposed to have begun as soon as ...
I look forward to working with them in the near future,” Falardeau said in a statement. “I am truly thrilled our film has found a home at IFC Films and Showtime. The team at IFC Films is pretty much leading the way in terms of effective and substantive theatrical releases right now,...
it feels like an even stronger connection to the characters and the director. From Dora Carrington’s relationship to Lytton Strachey to James Joyce’s THE DEAD to Buster Keaton and so many more. The production design, the costumes, the score. Everything is so intentional…even the spines of...