“黑色电影”(Film Noir)是一种具有独特风格的电影类型,以悲观主义、宿命论和犬儒主义为标志。这个词最初在二战后由法国人用来描述20世纪40年代和50年代的美国惊悚片或侦探片。然而,好莱坞的黑色电影最早可以追溯到20世纪20年代。“黑色电影”(Film Noir)字面意思是“黑暗电影”(balck cinema),法国影评人用它来形容...
In Julie Grossman's "Rethinking the Femme Fatale in Film Noir: Ready For Her Close-Up," shestates "The femme fatales threatens to Beyond Backlash: The Femme Fatale in ContemporaryAmerican Cinema. Rethinking the Femme ...
the smoking behavior, and detective work are all commonly used icons in Film Noir. Particularly, Phyllis, the seductive femme-fatale, has the evil attention to kill her husband and utilize Neff; smoking is presented throughout the film, from the interaction on the train to the final scene in...
“Cigarettes had to go,” the poet and noir connoisseur Suzanne Lummis concedes. “But the cinema lost a language. Aside from the smoking, the lighting of the cigarette could be handled so many ways with such different effects. Richard Conte, Robert Mitchum, all those guys—in two smooth ...
Rethinking the Femme Fatale in Film Noir 电子书 读后感 评分☆☆☆ 评分☆☆☆ 评分☆☆☆ 评分☆☆☆ 评分☆☆☆ 类似图书 点击查看全场最低价 出版者:Palgrave Macmillan 作者:Julie Grossman 出品人: 页数:192 译者: 出版时间:2009-09-29 价格:USD 74.95 装帧:Hardcover...
CHARACTERS IN FILM NOIR Everyone always seems to besmoking. Taxi drivers and bartenders are jaded. They’ve seen it all, and they’re not about to help the main character in peril. Basically, the hero is alone. No one will help. He may be surrounded by people but they areautomatonsto...
to finally get rid of her husband. Stanwyck had qualms about playing an “out-and-out killer”, as she was, at the time, the highest paid actress in America. But Stanwyck’s performance and the film itself went down in history as the paradigm of the femme fatale and film noir. ...
The Soft Femme Fatale inThe Maltese Falcon: Brigid O’Shaughnessy Unlike Brigid O’Shaughnessy, Carla Nillson is an unproblematic soft femme fatale. Therefore, I want to consider Brigid first. InDark City: The Film Noir, in addition to 490 thumbnail descriptions of film noirs in the “classic ...
Siodmak keeps the tone very close to the worldly precepts of noir throughout, identifying Frank’s furious reaction to the charismatic stranger subsuming his place and placing the control of the Dark Oaks at the centre of the narrative: even when eternal life is involved, or perhaps especially...
The film is also often mentioned as something of a smoker's paradise and consists of so many smoking scenes that it might be said that the entire movie is seen through the elegant plumes of a cigarette. Related:Why Sin City Is One of the Best Modern Noir Films ...