In our digital world, we assemble footage into compelling stories with editing software. So, in our Skillshare, we’re going to teach you basic and intermediate skills necessary to edit like a professional using our favorite program – Adobe Premiere Pro. In addition to learning the bas...
Stirred by the visionary power of “Dark City,” I revisitedFritz Lang‘s “Metropolis” and once again fell under its eerie spell. The movie has a plot that defies common sense, but its very discontinuity is a strength. It makes “Metropolis” hallucinatory–a nightmare without the reassuranc...
Oscar Nominations:7 wins-Best Motion Picture(won), Best Director-David Lean(won), Best Actor-Alec Guinness(won), Best Supporting Actor-Sessue Hayakawa, Best Screenplay Based on Material from Another Medium(won), Best Scoring(won), Best Cinematography(won), Best Film Editing(won) 1957 FilmsAlec...
The rest of the film piggybacks on this premise as the group pursues Jerry in tired form as adventures ensue. The specifics are running through other people’s apartments, tumbling down fire escapes, impersonating older women, and continued use of backflips, stop-motion editing, and nutty situa...
De Palma’s editing here, taking the inward-stepping jump cuts to the dead man’s eyes in The Birds (1963) to a hyperbolic zone, skips in towards Spacek’s glowing eyes in lightning-fast jump-cuts that explicitly connect the glaze-gazed power of Carrie’s looking as she turns at almost...
I think one of the reasons that Welles left a number of projects unfinished is that he expected a lot of himself. When you look at the time he invested in preparing his films, the energy he expended in shooting his films, and then the obsessive care that he took in editing his films,...
Wexler patterns his editing here after Eisenstein’s Battleship Potemkin (1925) as he counters the clashing, advancing tides of protestors and cops and soldiers. But there’s a fascinating dynamic wherein the clash of theatre from both sides could well be encouraged and amplified by the presence...
“The film provides its subjects the agency to tell their own stories, without judgment or suggestion. The camerawork and editing are sharp and well-suited to the film’s narrative.”– David Wilson, True/False Film Festival Posted in DOC/NYC, documentary, drama, Film Festival, Film School ...
A terrific and brooding performance by star Joaquin Phoenix leads the charge, as does the fantastic direction by Lynne Ramsay and the editing team. The dark film is an unusual and impressive choice for a female director. Snippets of cinematic genius exist during a film that, with a more compl...
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