translated also as “Blow Up” in Blow-up and Other Stories, and by the life of Swinging London photographer David Bailey. But interesting enough the studio scenes were shoot at a different fashion photographer’s studio, John Cowan, and many of his photos...
Michelangelo Antonioni’s “Blow-Up” opened in America two months before I became a film critic, and colored my first years on the job with its lingering influence. It was the opening salvo of the emerging “film generation,” which quickly lined up outside “Bonnie and Clyde,”“Weekend”...
Blow-Up Film Friday 9 January 2015 Share Written by GA Time Out says As often with Antonioni, a film riddled with moments of brilliance and scuppered by infuriating pretensions; full of longueurs, it works neither as a portrait of Swinging London, nor as a bona fide thriller. But as...
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8‘Blow-Up’ (1966) Directed Michaelangelo Antoninioni Image via Premier Productions Blow-Upis one of the most influential films ever made, and not just because it included graphic violent and sexual content thatforced the MPAA to come into existence.A groundbreaking paranoid thriller that examined...
We loved it. “Eclipse” (1962) had us leaving the theater feeling deliciously betrayed and alone. “Blow-Up” (1966) was even better. It was set in swinging London and left us feeling betrayed, alone, and with-it. In between, Antonioni gave us “The Red Desert” (1964), possibly th...
The surprise box office success of Antonioni’s first English-language film, Blowup (1966), opened up great new vistas for him as Hollywood came knocking, although some critics would accuse him of exporting his cinematic style more as a brand than an artist, looking for venues to make the ...
Explore iconic posters from “Rear Window” (1954) and “Blow Up” (1966), which have become historical pieces in their own right. Whether you’re a collector or simply looking for timeless art for your home, office, or theater room—movie posters offer a sleek and enduring way to celebra...
Blow-Up, 1966.David Hemmings, Vanessa Redgrave, and Sara Miles.Antonioni's first English-speaking film and probably his most commercially successful one. A photographer believes that he has witnessed a murder. The film deals with the question of "what is real and what is not." I loved the...
The surprise box office success of Antonioni’s first English-language film, Blowup (1966), opened up great new vistas for him as Hollywood came knocking, although some critics would accuse him of exporting his cinematic style more as a brand than an artist, looking for venues to make the ...