translated also as “Blow Up” in Blow-up and Other Stories, and by the life of Swinging London photographer David Bailey. But interesting enough the studio scenes were shoot at a different fashion photographer’s studio, John Cowan, and many of his photos...
Michelangelo Antonioni’s “Blow-Up” opened in America two months before I became a film critic, and colored my first years on the job with its lingering influence. It was the opening salvo of the emerging “film generation,” which quickly lined up outside “Bonnie and Clyde,”“Weekend”...
-摄影时刻放大Blow-Up (1966)A FILM BY Michelangelo Antonioni k收起 f查看大图 m向左旋转 n向右旋转û收藏 5 评论 ñ66 评论 o p 同时转发到我的微博 按热度 按时间 正在加载,请稍候...相关推荐 e刷新 +关注 守望好莱坞 06月23日 23:55 #致命录像带拍第四部#恐怖片...
As often with Antonioni, a film riddled with moments of brilliance and scuppered by infuriating pretensions; full of longueurs, it works neither as a portrait o
按:blowup意為被放大的相片(a photographic print that has been enlarged) 延伸閱讀:國民戲院–影片介紹 留言: 發表留言 標籤: 1966, Cannes Film Festival, Oscar Nominated, UK 分類: 電影 紅氣球 Ballon rouge, Le 6 06 2008 IMDB 每個人心中都有一個紅氣球。(好熟悉的一句話…) 紅氣球就像是我們...
8‘Blow-Up’ (1966) Directed Michaelangelo Antoninioni Image via Premier Productions Blow-Upis one of the most influential films ever made, and not just because it included graphic violent and sexual content thatforced the MPAA to come into existence.A groundbreaking paranoid thriller that examined...
Where for Antonioni in Blowup (1966) the image dissolves into ambiguity with a closer look Wexler merely suggests he’s pointing his camera in the wrong direction, wrestling more with the problem of context and the limitations of human awareness and empathy. John works up bardic verbal ...
We loved it. “Eclipse” (1962) had us leaving the theater feeling deliciously betrayed and alone. “Blow-Up” (1966) was even better. It was set in swinging London and left us feeling betrayed, alone, and with-it. In between, Antonioni gave us “The Red Desert” (1964), possibly th...
The surprise box office success of Antonioni’s first English-language film, Blowup (1966), opened up great new vistas for him as Hollywood came knocking, although some critics would accuse him of exporting his cinematic style more as a brand than an artist, looking for venues to make the ...
Blow-Up, 1966.David Hemmings, Vanessa Redgrave, and Sara Miles.Antonioni's first English-speaking film and probably his most commercially successful one. A photographer believes that he has witnessed a murder. The film deals with the question of "what is real and what is not." I loved the...