Chaucer and Fifteenth-Century Verse and ProseGeoffrey Chaucer was an English author, poet, philosopher, bureaucrat (courtier), and diplomat. He is often referred to as the Father of English Literature.H. S. Bennett
21 Now de when en · ho all hapas the ho people laos had been baptized baptizō, and kai when Jesus Iēsous was baptized baptizō and kai was praying proseuchomai, the ho heavens ouranos were opened anoigō, 22 and kai the ho Holy hagios Spirit pneuma descended katabainō · ho on ep...
Given that the main treatises of Antiquity and the early Christian era, as Theophrastus’Liber de lapidibus(ca. 370–287 BC), Vitruvius’De architectura(end of first century BC), Pliny’sNaturalis Historia(23–79 AD) and Dioscorides’De materia medica(end of first century AD), up to the...
∗ A unit of poetic meter consisting of stressed and unstressed syllables in any of various set combinations. ∗ 音步:战歌音步的战位,在一战战合中由重战或不重战的音战 形成。 Foot ∗ A phrase, verse, or group of verses repeated at ...
The Long Fifteenth Century Is A Companion Volume To Douglas Gray's Ground-breaking Oxford Book Of Late Medieval Verse And Prose. The Fifteen Essays Portray The Fifteenth Century As A Major Period Of Literature In Its Own Right. The Contributors To This Volume - Many Of Them Leading Scholars ...
As Waters notes, Huntington Library MS HM 115 of John Lydgate’s Life of Our Lady was probably also part of the same original volume; it is not edited here both because a critical edition already exists for that work, and because it is in verse, where the others are all prose. The ...
For instance, if we look at the Italian and Spanish traditions, to which I would like to devote a few opening remarks, we have to acknowledge that in both traditions the French prose romances of the thirteenth century still provide a prominent model of operation. Admittedly, this may be ...
Books I and II were composed in verse by one hand and they constitute the original text by Eraclius. Book III is instead written in prose by a different author and was added in the twelfth or thirteenth century. It is no surprise, hence, that Book III bears little mention of the arts...
I investigate this claim through an analysis of spelling changes in William Caxton's two editions of the Canterbury Tales—by examining text within one book, written by one author, and set by one compositor, the only difference between the sections of verse and the sections of prose should be...