The juxtaposition here is that Homer sees the lobster, Mr. Pinchy, as a loving pet while Marge sees it as the object of all evil. This creates a hilarious scene based on opposing viewpoints. Speaking of opposites, do you believe they attract? They definitely did in the filmPretty Woman. ...
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Rap music by hip-hop artists draws from African folk songs, jazz, and blues. The lyrics are filled withrhyme and near-rhyme. There are no set rules for line lengths or metrical patterns. In contrast, blank verse emerged from European literary traditions. While the meter can vary, there's ...
Every day I have the blues. Every day is a gift. Every day that dog barks at me! You might even try throwing both in one sentence, just to be tricky. Everyday concerns like these shouldn’t haunt me every day. Every day you tell me about these everyday issues. When are you going...
Bob Dylan, "Subterranean Homesick Blues" Dylan's song is a bounding, leaping, joyful composition of sounds and ideas, and the consonance of "f" and "p" and "t" and "b" sounds below shows his playfulness as he paints a scene of what might otherwise seem like desperation and displacement...
Go for a unique tone of voice Consumers would have had a hit of the blues if every brand had the same communication style. That’s why having a unique character is worth gold today. Think of how you could translate that unique character into written form and how you would like to sound...
Black American activist and scholar Angela Y. Davis analyses the lyrics of legendary Black women blues singers Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday from a womanist perspective. In the book, Davis describes the singers as powerful examples of the Black experience in mainstream ...
of rock and Jamaican patternmusic. It had a different feel to it with pieces of popular rock anthems to quick change to relax laid back pattern. The solo electric guitarist, played a song with dark undertones mostly resembling thebluestype of feeling and chordal structure. The sound seemed to...
Opening scenes from the fi lm, with “Rain,” music by the Val Dusty Experiment. 4:37. Used by permission of Kidman. 8. The September Sessions, Jack Johnson, 2000. Segment accompa-nied by Jack Johnson’s “F-Stop Blues.” 2:56. Used by permission of Johnson....