His ensuing two years at The Washington Post were unsatisfying, in part because segregation limited his assignments. But he found the range he wanted with Johnson Publishing, and soon came to national attention with his articles about the lynching of Emmett Till and the sham trial of his killers...
Philip Anselmo left his falsetto behind for the most part, and started employing his chip-on-the-shoulder shrieks that made songs like the title track, “Domination” and “Cemetery Gates” felt and not just heard. 17. Slipknot, 'Slipknot' Roadrunner 17. Slipknot, 'Slipknot' (Roadrunner, 19...