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The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction ...
我要写书评 Emotion and the Structure of Narrative Film Film as an Emotion Machine的书评 ··· ( 全部0 条 ) 论坛 ··· 在这本书的论坛里发言 + 加入购书单 谁读这本书? ··· csiiso 2022年9月25日 想读 唔关我事 2022年5月7日 想读 > 2人想读 二手市场 ··· 在豆瓣转...
film clipsnarrative textFilm clips and narrative text are useful techniques in eliciting emotion in a laboratory setting but have not been examined side-by-side using the same methodology. This study examined the self-identification of emotions elicited by film clip and narrative text stimuli to ...
If you are one of the authors, claim this publication so you can create a plain language summary to help more people find, understand and use it. Read the Original This page is a summary of:Emotion prosody and viewer engagement in film narrative, Narrative Inquiry, November 2014, John Benja...
e-flux: Your installations often feel immersive, not just through the scale of the screen and the sound but also through intersubjective spaces that you create, where images establish direct contact with the viewer. How do you balance immersion with narrative and thematic elements in your films?
As well as the need for coherence of style and message epitomised by the cheap web banner, we can also look at the narrative structure, the way in which each interactive action flows more or less naturally from the last. Spatio-temporal thread As noted in the flow characteristics, moments ...
Black Mirror: Bandersnatcheffectively exists at a crossroads between television and interactive fiction. The Netflix-produced narrative adventure merges choice-based interaction with the high-production value of prestige TV to create something that resists easy definition, not least in established awardi...
Trailer spectatorship increases the implied distance of the speculative consumer contemplation involved in cinematic window shopping; it also removes the commitment to enter the familiar contract of “suspension of disbelief” entailed in the process of watching a complete narrative film (we aren’t “...
This narrative review aims to address this gap by exploring mental imagery’s associations with cognitive and emotional processes. It emphasizes the significant role of mental imagery on different cognitive functions, with a particular focus on learning processes in different contexts, such as school ...