1910 Portrait of Dr. Ferdinand Tribout 1910 Portrait of the artist's father 1911 About Young Sister 1911 Coffee Mill 1911 Landscape, Study for 'Paradise' 1911 Portrait (Dulcinea) 1911 Portrait of Chess Players 1911 Sonata 1911 The...
“The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualification and thus adds his contribution to the creative act.” “创造性行为不仅是艺术家的表演;观众通过解读和解释作品的内在特征,...
收藏:费城美术馆,费城,PA,美国 Title:Nude Descending a Staircase, No.2 artist:Marcel Duchamp Date:1912; France Style:Cubism,Futurism Genre:figurative Media:oil,canvas Tag:female-nude Dimensions:89 x 146 cm Location:Philadelphia Museum of Art, Philadelphia, PA, US收藏...
年代:1920 风格:达达艺术,机动艺术 类型:装置 介质:成品 标签:仪器与机构 尺寸:120.6 x 184.1 cm Title:Rotary Glass Plates (Precision Optics) artist:Marcel Duchamp Date:1920 Style:Dada,Kinetic Art Genre:installation Media:ready-made Tag:instruments-and-mechanisms Dimensions:120.6 x 184.1 cm收藏...
Artist(1887—1968) 马塞尔·杜尚,法国艺术家,二十世纪实验艺术的先锋,对于第二次世界大战前的西方艺术有着重要的影响,纽约达达主义团体的核心人物,是达达主义及超现实主义的代表人物和创始人之一。 杜尚自述|七个部分 (一) 赚钱 人都会自己都不知道自己是怎么活的。我每个月的进项不多,那真是一种道地的波西米亚...
“Art is not the field of the artist, it is the field of the spectator.” “艺术不是艺术家的领域,而是观众的领域。” “I have forced myself to contradict myself in order to avoid conforming to my own taste.” “我迫使自己自相矛盾,以避免迎合我自己的口味。” ...
Artist(1887—1968) 马塞尔·杜尚,法国艺术家,二十世纪实验艺术的先锋,对于第二次世界大战前的西方艺术有着重要的影响,纽约达达主义团体的核心人物,是达达主义及超现实主义的代表人物和创始人之一。 杜尚自述|七个部分 (一) 赚钱 人都会自己都不知道自己是怎么活的。我每个月的进项不多,那真是一种道地的波西米亚...
“Art is not the field of the artist, it is the field of the spectator.” “艺术不是艺术家的领域,而是观众的领域。” “I have forced myself to contradict myself in order to avoid conforming to my own taste.” “我迫使自己自相矛盾,以避免迎合我自己的口味。” ...
Duchamp claimed responsibility for "Fountain" until the end of his life in 1968, and knowing what we know about the artist, if he was not the creator, he would have taken great joy in revealing that.杜尚直到 1968 年去世前都声称对《泉》负责,以我们对这位艺术家的了解,如果他不是创作者, ...
Duchamp's singular experience with his Nude Descending a Staircase (1912) was instrumental in his decision to turn from any conventional type of art career and become the twentieth-century archetype of the anti-artist. Even though the popular 'scandal' surrounding the painting was of a type ...