and it’s being shaped by something new: the distance, and the home. They have to: they’ve got time on their hands, now that they’re not on the road; the creative urge remains in the air around them, pressured
mastery can be achieved in music that is constantly changing and being pushed to the teetering edge. Like In for a Penny, In for a Pound, the composition on the album are described by Threadgill as sonatas or concerti: “Come and Go†for sa...
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