But this lovable Lerner and Loewe musical (and endless source of marvelous standards; see, for example, Nat King Cole’s version of “On the Street Where You Live”) was what finally got him the glory, and gave us an excuse to shout “move your bloomin arse!” every time we ever see...
Musical director Peter Matz, 73MYRNA OLIVER, LOST ANGELES TIMES
for this series of lectures on advanced musical form. Now, we all know it’s not raining outside, and unless there’s a fire in some other part of the building that we don’t know about, there’s an awful lot of people here with nothing better to do.” As John gets settled in...
The narratives often embraced tropes of the “˜predatory queer’ or the “˜monstrous queer’ in order to declare themselves visible while cinematic queers were elbowed out of the way. Filmmakers had to maneuver their vision in imaginative ways to subvert the structure laid out for them by...
Good Neighbor: Diablo Vista Chorus offers first concert with new musical directorJacquie Oliverius
Pittsburgh Musical Theater Executive Artistic Director ColleenDoyno calls actor Nathan Sudie "a...Carter, Alice T
Fast Company (1953), a musical comedy about horse racing, was a mismatch of director and material. Escape from Fort Bravo (1953), however, was better, a solid western about the U.S. cavalry battling Native Americans; it starred William Holden and Eleanor Parker. filming of Bad Day at ...
While the latter film proved popular with moviegoers, the same could not be said of Sincerely Yours (1955), a musical starring Liberace as a wealthy pianist who loses his hearing. The movie was a box-office failure, and Douglas wisely stuck with westerns and war movies for the next few ...