which closes episode one, is set up by the show’s young heroine Elle (Bella Ramsey) discovering a ragged “Number One Hits” book which uses a different code when a song from the ‘60s, ‘70s or ‘80s comes on the radio.
In the first half of the ’80s, whenDepeche Modewas just a baby-faced synth-pop band singing bubblegum love songs, America couldn’t be bothered to care. The boys from Basildon, England, were neither as pretty asDuran Durannor as cartoonish as all those New Romantics on MTV, and singles...
This Depeche Mode song digs into the band’s deep synthpop and darkwave roots. It demarks the end days of the band’s more coy, playful, upbeat quirks. It sits squarely between the whimsical compositions ofSome Great Rewardand the dark turn ofBlack Celebration.“Shake The Disease” was one...
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simple but dominant: how to reshine depeche mode on album covers after 80s Presents information on the album by Depeche Mode 'The Singles '86-98.' Comments from radio station disc jockeys; The original single 'When I Lose Myself,'... C Seker 被引量: 0发表: 2018年 ...
Released in 1984, 'People Are People' perfectly combined Depeche Mode's love of pop music and experimentalism, and gave them their first US hit single.
Depeche Mode's "Never Let Me Down Again," which came out in 1987, played on the radio during the episode's final scene, but we won't know until Jan. 22 what kind of trouble is coming their way. But, in the two days since the episode premiered, the Depeche Mode song has experienc...
“The Love Thieves,” would fit inconspicuously alongsideOK Computer’s “Paranoid Android” and “Subterranean Homesick Alien.” The difference, of course, was thatUltrafound Depeche Mode inchingbacktoward synth-pop—a realm they ruled throughout the ’80s—after 1993’s more rock-orientedSongs ...
simple but dominant: how to reshine depeche mode on album covers after 80s Presents information on the album by Depeche Mode 'The Singles '86-98.' Comments from radio station disc jockeys; The original single 'When I Lose Myself,'... C Seker 被引量: 0发表: 2018年 ...
In the first half of the ’80s, whenDepeche Modewas just a baby-faced synth-pop band singing bubblegum love songs, America couldn’t be bothered to care. The boys from Basildon, England, were neither as pretty asDuran Durannor as cartoonish as all those New Romantics on...