DaVinci Resolve works with virtually all native cameraRAW formats.That means you can work with files directly from the camera’s sensor instead of compressed pixel data. Simply choose a RAW file and click the RAW icon located on the left side of the toolbar. The RAW palette gives you total...
Most mirrorless cameras, DSLR cameras, drones, and action cameras can capture high-resolution and high-speed footage. However, these videos are often compressed using highly compressed codecs such asH.265 (HEVC) or H.264to save storage space. Due to the reducedframe rate, playing these files ...
Highly compressed AVC / H.264 and HEVC / H.265 codecs have become the norm. Whenever anyone asks me about DaVinci Resolve system specs, or how to optimize Resolve’s performance, I always assume they must be working with H.264 or H.265 camera files. These codecs are resource intensive...
With DaVinci Resolve 18.1, you can lock and edit individual timelines without locking the parent bin’s contents. This allows for greater flexibility in multi-user projects in setting up your media pool bins without locking other media or timelines in the same folder. You can still manually cho...
When you unintentionally move or delete any source material, it's highly likely that you haven't properly managed your media in DaVinci Resolve. Don't underestimate the importance of organizing your media clips. However, organizing assets effectively in DaVinci Resolve is not an easy task, espec...
FUSION VISUAL EFFECTS WITH DAVINCI RESOLVE 16 Learn how to create Hollywood-caliber visual effects and motion graphics with the world's most advanced editing, visual effects, color correction, and audio post production solution! by Damian Allen, Tony Gallardo, and Dion Scoppettuolo ...
ProRes 422 will work perfectly in FCP-X, Premiere and Resolve. 10 bit 4:2:2 ProRes is designed specifically to withstand repeated recompression without adding artifacts. https://www.apple.com/final-cut-pro/docs/Apple_ProRes_White_Paper.pdf By converting the media prior to...