1986年，Hirst 进入众多 YBA 艺术家的摇篮的伦敦大学Goldsmiths学院学习 Fine Art 专业，师从Michael Crai...
(Damien Hirst,1965年6月7日-)是YBA的领军人物,从玩福尔马林成名,是霸屏过众多后现代艺术书籍,霸榜各种在世最贵英国艺术家的 king。 浓药 1986年,Hirst 进入众多 YBA 艺术家的摇篮的伦敦大学Goldsmiths学院学习 Fine Art 专业,师从Michael Craig-Martin——那位把一杯水拿去展览,冠名一颗橡树的英国观念艺术教父。
达米恩·赫斯特(Damien Hirst,1965年6月7日-)是YBA的领军人物,从玩福尔马林成名,是霸屏过众多后现代艺术书籍,霸榜各种在世最贵英国艺术家的 king。 1986年,Hirst 进入众多 YBA 艺术家的摇篮的伦敦大学Goldsmiths学院学习 Fine Art 专业,师从Michael Craig-Martin——那位把一杯水拿去展览,冠名一颗橡树的英国观念...
赫斯特在《生与死和达米安·赫斯特》(Life and Death and Damien Hirst)中对他的旋转画作的深刻观察是他整个作品中唯一需要评论的:“它们很明亮,很滑稽——但归根结底,一切都他妈的在那里。 2003年,斯塔克主义国际画廊(Stuckism International Gallery)以“死鲨鱼不是艺术”(A Dead Shark Isn't Art)为题,展出了...
metamorphoses, Hirst uses the butterfly to symbolize the ascension of the soul; yet he distorts this allusion with the cubic zirconia, a commercial object engineered to appear as a precious stone. The delicate butterflies combined with the mass-produced stones replicate Hirst's abiding interests ...
art and science. TheNatural Historyseries includes additional taxidermied animals, including sheep, cows, a zebra, a dove, and even a “unicorn”—some of which are bisected or flayed. That same year, in London, Hirst presentedIn and Out of Love (White Paintings and Live Butterflies), an ...
The concept of the ‘Butterfly Paintings’ derived from Hirst’s first solo show In and Out of Love, 1991. The exhibition covered two floors; upstairs, pupae were attached to white paintings, with the butterflies actually hatching during the opening, and downstairs, whole dead butterflies were ...
此作品是 Damien Hirst 將自己飼養蝴蝶利用家用油漆呈現在畫上,形成美麗的昆蟲萬花筒。 My picture 'Incorruptible Crown' by artist Damien Hirst butterflies & household gloss on canvas another of over 150 artworks from The George Michael Collection, auction today@ChristiesInc@georgemichaelsinger songwriter ...
达米恩·赫斯特(Damien Hirst,1965年6月7日-)是YBAs(英国青年艺术家)的领军人物,从玩福尔马林成名,是霸屏过众多后现代艺术书籍,霸榜各种在世最贵英国艺术家的 king。 1986年,Hirst 进入众多 YBA 艺术家的摇篮的伦敦大学Goldsmiths学院学习 Fine Art 专业,师从Michael Craig-Martin——那位把一杯水拿去展览,...
Hirst explains his use of butterflies in terms of “universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.” The insects’ representation inThe Soulsreflects an essential tension between their iridescent vitality and the ultimate stillness of ...