The article discusses the characterization of the visualization of (non)visible reality in Crime and Punishment by Fyodor Dostoyevsky. The author suggests that semiotic and legal analysis should be used to understand the meaning of the color code of the novel. Semiotic discourse reduces the ambiguity...
Two individuals making careful tracings of the same signature can produce virtually identical drawings. In the era before computers, investigators would sometimes examine typewriters to determine the make and model used to prepare a document. Ink comparisons provided evidence that was frequently of ...
It is a picture of mass chaos, although the following items can be discerned upon closer examination: photographs, drawings, and lithographs, depicting criminals, psychiatric patients, and prostitutes; objects and pictures that were made in prisons and psychiatric institutions by their inmates; ...
Setting aside questions of fundamental justice for the moment, the answer is: because cartoons and drawings aren't child pornography and should not be treated as such under the law. The moral slippage in the law is palpable in the way it conflates images of actual minors with fictional repres...
Article 28 to Article [ ] aim at maintaining the security of the UAE, public order and peace. These provisions prohibit persons who engage in inciting acts, publishing or transmitting information, drawings or pictures that may endanger national security and higher interests of the State or afflict...
Garland's analysis revolves around the notion that we can understand the development of strategies of control by thinking about punishment and control as a cultural adaptation to 'late modernity' and the free market: socially conservative politics that came to dominate the USA and the UK in the ...