"One key point that Roger made in his talk was that - cinematic and tv lighting directors have the power to decide on the colour palette of the piece and to share that with the audience. He recounted his experience of working on the film 'Wing Commander' where the LD decided that the ...
Yet the real damage toWing Commanderwas actually done in the meeting rooms at the studio that distributed it. Again, it was all down to the deal. Fox, who were releasingThe Phantom MenaceandWing Commander, were obviously going to put all their bets on just one of those two horses. "Fox ...