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You can go over to ICv2 and check out the Top 50 for the July 2024 comic book sales rankings for free or opt for a pro membership (It is well worth the money) and get the Top 200 for the July 2024 comic book sales rankings and then come back here for a detailed analysis of the...
Continuing my look at Superman, this specific comic is a newer acquisition for me, and one I’ve just finally got around to reading. Not only was I impressed with the artwork, but the story was fun as well. A landmark issue, and a whole lot of fun. Now that’s what an anniversary...
UNCLE OTTO and HARRY KARRY, it turns out, represent the earliest known sequential artwork of Will Eisner — and until now, outside of their titles and a very small smattering of strips salvaged from the few local newspapers that intermittently published them, their contents were almost completely...
That’s a tough pill to swallow given the high caliber of writer Rick Remender’s other Marvel work -- Uncanny X-Force and Uncanny Avengers specifically, both of which have set up some of the major pillars of Axis. While the artwork does improve in this issue, it’s far from saving ...
Natacha Bustos’ artwork is as gorgeous as always, elevated by Eleanora Bruni’s vivid colors. Bustos struggles with the magic battle, falling into common traps of likening it to a physical fight or reducing it to a staring contest, and the narrative flow is at points difficult to follow. ...
but it can’t overcome sloppy artwork and crutch tropes. The usually reliable Roland Boschi delivers the pencils here, and his heart is clearly in the designs for Albert himself as the work done in the robo-Wolverine are the real highlight. Everything else though feels largely forgettable.—...
With the one-two punch of a fun new character and some show-stopping artwork from Jorge Molina and Laura Martin, and you can't go wrong with A-Force. While this book starts off with a shaky foundation - namely, that you have to have read a Secret Wars tie-in to understand where Sin...
start a few rough sketches, go ahead. But you need to get the structure and all the essential elements of your story planned out and writtenbeforeyou draw. It's a lot easier to rewrite a few sentences in a comic book outline than it is to redraw several panels of painstaking artwork!
Usually, I try to have a comic five, if not six, times a week. This, of course, bars unforseen circumstances such as illness, vacation, theft of computer, theft of artwork, etc. For the most part, there should be a comic every weekday, including Saturday. Sundays will (or should) ...