In Companion to Narrative Theory, edited by Peter J. Rabinowitz and James Phelan, 466-83. Malden MA: Blackwell.Maus, F. E., 2005, Classical Instrumental Music and Narrative, in A Companion to Narrative Theory, eds., J. Phelan and P. J. Rabinowitz, 466-483, Oxford: Blackwell....
« Musique classique instrumentale et récit (1) » From the 1970s on, musicologists have explored relationships between classical instrumental music andnarrative. In a first phase of research, musicologists... FE Maus 被引量: 0发表: 0年 Classique:cover art for classical music From the 197...
Ashot Danielyan is a pianist and improviser. He improvises music in a variety of styles and genres. His favourite instrument remains the piano, which he includes prominently in most of his music. For custom work and for any creative suggestions please write here: ashot_danielyan_composer@yaho...
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Central Asian arts - Classical Music, Instruments, Traditions: In contrast to the folk music styles just described, the court-derived classical style of Bukhara and Samarkand represents a highly systematic, theoretically grounded, cosmopolitan musical tr
1590s, "of the highest rank" (originally in literature), fromclassic+-al(1).Classical music(1836) was defined originally against romantic music. [I]n general, as now used, the term classical includes the composers active in instrumental music from somewhere about 1700 to say 1830. Hence the...
As mentioned above, Villa-Lobos’s works are characterized by a singular blend of Western classical music and Brazilian folk songs and rhythms. One of his best-known works isBachianas brasileiras(written 1930–45), a set of nine pieces for various instrumental and vocal groups, in which a co...
He never wrote a piece of music unless he had something to say and he never repeated himself; he never outstayed his welcome. No two of his piano pieces are alike, each one creates its own world. He lays his soul before us in music like the Second Symphony, yet it is noble as ...
Full of archetypal Romantic elements, Orfa was mounted with the lavish stage spectacle for which the Paris Opera was famous, and featured Fanny Cerrito in the title role. Adam’s writing shows increasingly vivid orchestral imagination, drama and tonal colour, with roles for several instrumental ...
Haydn is often called themaster of humor in music. Unfortunately, that makes him sound like some silly prankster uncle. “Go on, pull my finger to see what I’m hidin’. Get it? Hidin’?!” But the ‘humor’ in his most mature instrumental works is a lot more sophisticated than the...