I find that both of these little thought experiments imply comic narratives—that is, to borrow a definition, ones which resolve in favour of their protagonists. And who might these protagonists be? Read More → Film Tourists in Los Angeles By Thom Andersen | 01/18/2024 | CS97, ...
I find that both of these little thought experiments imply comic narratives—that is, to borrow a definition, ones which resolve in favour of their protagonists. And who might these protagonists be? Read More → Film Tourists in Los Angeles By Thom Andersen | CS97, Features, From Cinema...
The commentary of Bissette and Dobbs is entertaining and informative: they run down the filmographies of cast and crew and borrow bits from Tom Weaver’s interviews with the film’s surviving players, and suggestThe Lady and the Monsteris technically an “A” picture in its mounting.Director ...
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I find that both of these little thought experiments imply comic narratives—that is, to borrow a definition, ones which resolve in favour of their protagonists. And who might these protagonists be? Read More → Film Tourists in Los Angeles By Thom Andersen | CS97, Features, From Cinema...
[...] the two aspects are in the end forever linked just as they wereat another level welded from their origin. And this, in such a way thatsuch a link also proves to be free from all predestination, and open tothe greatest chance, in life and in cinema.43Forms-of-vitality-play ...
I would spend every cent I own, and all I could borrow, to block you. There are people who think of Johnny as a clown and a buffoon, but I do not. I despise John Iselin and everything that Iselinism has come to stand for. I think, if John Iselin were a paid Soviet agent, he...
I find that both of these little thought experiments imply comic narratives—that is, to borrow a definition, ones which resolve in favour of their protagonists. And who might these protagonists be? Read More → Film Tourists in Los Angeles By Thom Andersen | CS97, Features, From Cinema...
“The sublime is tied to realism by an underdetermination of words,” to borrow from Rancière. In those somethings-more, in moments unexpectedly enthralling, “the vicissitudes of life [would seem] unimportant to me, its disasters innocuous...
(1989) which was in production around the same time as “Platoon Leader, but released three months later. They all borrow plot elements from “Rio Bravo†and its many remakes like John Carpenter’s “Assault on Precinct 13.†While the story ...