Among the bikers are the club’s brooding founder and president Johnny (Tom Hardy), the scruffy Zipco (Michael Shannon), the bug-eating Cockroach (Emory Cohen), the loyal lieutenant Cal (Boyd Holbrook), and a late arrival, the California biker Funny Sonny (Norman Reedus). “The Bikeriders...
He not only plays the hero but he also co-produced andco-directed the film with Lane Slate, who at some point during production was either fired or left the film, leaving Stern to assume the direction alone."Clay Pigeon" was not a hit, however, and quickly faded from view. The uniqu...
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(on top of COVID delays) allow leeway for the filmmakers to tinker with it and take the time to try to meet their enormous ambitions. Director/co-writer Christopher McQuarrie has a weird, partially improvisatory way of building these that other filmmakers shouldn’t copy, but it sure seems...
After briefly establishing the characters of Stan and Ollie in Hollywood during 1937, the Jeff Pope scripted film moves to the United Kingdom in 1953. Here Laurel and Hardy’s star is on the wane and they have taken a music hall tour to try and make a few quid, while potentially getting...
City Hall. (Frederick Wiseman) White Cube. (Renzo Martens) Azor. (Andreas Fontana) Don’t Look Up. (Adam McKay) No Sudden Move. (Steven Soderbergh) Shiva Baby. (Emma Seligman) Music Hole. (Gaëtan Lekens, David Mutzenmacher)
With the world gripped by the COVID-19 virus threat one’s mind can run amok and look to possible futures. Thus, I thought it interesting to explore some visions of the Apocalypse as seen on the film. I mean you have to hand it to humanity; it’s able to distract itself from the ...
it was being held in Atlantic City at Trump Taj Mahal. Back then the conference was focused on all the titles making their way into theatres like “The Green Mile” starring Tom Hanks and Lasse Hallstrom’s “The Cider House Rules” from Miramax. Soon enough, ShowEast (and every o...
Billy Liar, based on the novel by Keith Waterhouse and the stage play by Waterhouse and Willis Hall (with a screenplay by Waterhouse and Hall), was Schlesinger’s second film, and it is an exhilarating demonstration of the director’s confidence and talent. Schlesinger would g...
includeRunning Out of War, a new visual essay by film critic David Cairns,A Great Adventure,an archive interview with assistant director John Glen,Dougie, Chic and Me, an archive interview with focus puller Robin Vidgeon,One Man Army, an archive interview with film critic Sheldon Hall, the ...