[...]includes Music Dictations, Audition training, Work on ear on harmonic and melodic intervals, Upward, downward, small and large intervals, Consonnances and Dissonances, augmented intervals and diminished intervals, major scales and minor scales, Accidentals such as Sharps, Flats, naturals, Ma...
Chords form the backbone of most songs, creating a harmonic structure that supports the melody. Among the many types of chords, Major and Minor are the most foundational, their unique sounds forming the bedrock of countless songs across genres. Whether you're strumming a soulful ballad...
The minor 7th chord is built off the 1st, 3rd, 5th and 7th degrees of the dorian, phrygian and aeolian mode. It also can be found in the dorian flat two mode of melodic minor and the dorian sharp four mode of harmonic minor. So let’s take that dominant chord that we learned a wh...
Taking the first inversion (A–C–F), the A is flatted and the F is sharpened, resulting in a chord (A♭–C–F♯) that is both dissonant and ambiguous in harmonic function. The ambiguity of sound is partly due to the nature of enharmonic chords, chords that sound identical but ...
C Hungarian Major C Flamenco C Byzantine C# Hungarian Minor Db Hungarian Minor D Dorian D Mixolydian D Aeolian D Mixolydian b6 D Locrian #2 D Egyptian D Bebop Dominant D Arabian D# Half/Whole Diminished Eb Half/Whole Diminished E Phrygian E Aeolian E Locrian E Harmonic Minor E Locrian #2...
enharmonic intervals 等音程 inversion 转位(complement) minor 小(音程) major 大(音程) perfect 完全,纯(音程) augmented 增(音程) diminished 减(音程) double-augmented 倍增(音程) double-diminished 倍减(音程) unison 同度,一度(prime) second 二度 third 三度 fourth 四度 fifth 五度 sixth 六度 ...
C Hungarian Major C Flamenco C Byzantine C# Hungarian Minor Db Hungarian Minor D Dorian D Mixolydian D Aeolian D Mixolydian b6 D Locrian #2 D Egyptian D Bebop Dominant D Arabian D# Half/Whole Diminished Eb Half/Whole Diminished E Phrygian E Aeolian E Locrian E Harmonic Minor E Locrian #2...
Don't overlook the basics either. Good old major and minor triads, diminished and augmented chords—they all have their place. The magic often lies in how you combine these simpler elements to create something compelling. Think of it as making a delicious meal from basic ingredients; it's al...
The leap of a fourth in the upper voice can be filled in with two passing tones, A and B. (Although the B is consonant with the bass, it is still considered a nonharmonic passing tone since it does not belong to the prevailing C-major harmony.) The writer says that of two ...
diatonic chords in the harmonic minor scale with a major quality are V and VI. For example, the diatonic major chords in the key of D minor that have a major quality are the III chord, or F-A-C, the VI chord, or Bb-D-F, or Bb major, and the VII chord, C-E-G, or C ...